Writer and Manchester Writing School Lecturer Gregory Norminton has recently released a new book, The Ghost Who Bled. The book, published by Comma Press, is a witty and often highly moving collection of meticulously detailed short stories that span nearly twenty years of Norminton’s writing career, stories that take the reader on a journey not only across continents but also through time.
What is immediately striking about Norminton’s writing is the author’s ability to adapt his voice to the collection’s settings and characters. Stories in The Ghost Who Bled span the world and its cultures, the author taking us as far afield as Malaya and Japan before bringing us nostalgically back to the green Surrey of his childhood.
In Zero + 30, we meet the American husband of a woman who survived the Pol Pot regime of Cambodia. Returning to the country with his wife, he finds out the real motive behind her decision to marry him many years ago.
In Confessions of a Tyrant’s Double, a commoner’s likeness to a much revered, and perhaps reviled, president leads him to a life that is no longer his own. A prisoner of his own appearance – ‘my good looks did not belong to me’ – his only hope in ensuring his existence is not forgotten is to note down his experiences and hope them to be a read by a suspected snooper: ‘by your aid I have proved that I existed.’
In Bottleneck, a ‘flagrantly pregnant’ musician struggles with the concept of bringing a child into an already overpopulated near-future world. Here, we clearly see the battle between capitalism and creativity – ‘Is it common for the Small Hall to have so many empty seats?’ – beautifully shown in the fatalist but practical attitude of Clare’s scientist husband, her tendency to find refuge in music and, ultimately, in the conception of a baby despite strict precautions.
In what is probably the strongest story in the collection, The Ghost Who Bled, a ghostly young Japanese airman reflects on his life, watching from a distance the impact of the horrific nuclear bombing of his country. Unbearably lonely, he is unwilling to leave his life behind, hiding to watch his loved ones and longing to be part of their lives again. Why, we ask ourselves, is he so reluctant to move on?
Gregory Norminton’s writing is beautifully lyrical, yet, at the same time, completely concrete. The author not only describes Cambodia, Japan, Malaya, but picks his readers up and drops them in the very countries, villages, pasts and futures in which his stories are set.
The Ghost Who Bled is available now from Comma Press. To mark the launch of the collection, Gregory Norminton will be talking about his work at a series of events, including an appearance at Waterstones on Deansgate, Manchester on Friday 19th May at 6.30pm. The event is free to attend and refreshments will be available.
This review was originally published on Humanity Hallows.