Author Interview: Louise Beech

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I recently caught up with Orenda Books writer Louise Beech to ask her about becoming published, current projects and her inspirations.

Tell us about your journey to becoming a published writer.

Oh, it was lo-o-o-o-ng! But I think always believing and never giving up paid off. It took more than eight years, four novels, four plays, fifty short stories, multiple newspaper columns, millions of rejections, the odd competition shortlist, and a few tears to get a book deal, which I finally did in 2015 with Orenda Books. The best thing about all that work is that I already had four complete novels when I got my deal, so I was ahead of myself. And luckily my publisher, Karen Sullivan, is going to publish them all.

Your first novel How To Be Brave was inspired by the life of your grandfather. Why did you feel you had to tell his story?

The phrasing ‘had to tell his story’ is so apt. Because I did. It was bursting out of me. By that I mean that I had always wanted to write Grandad Colin’s story but wasn’t sure how I’d do it. Then, when my daughter Katy, who has Type 1 Diabetes like Rose, refused to have her daily injections, I began telling her his incredible tale of bravery, just as Natalie does with Rose. I knew that was how the story should be told – as a story within a story. I hoped not only to portray his incredible bravery, but to inspire others during dark times, and to educate on how serious a condition Type 1 Diabetes can be.

 Your publishing journey has progressed very quickly with your first novel released in 2015 and your third Maria in the Moon due for release very soon. What has surprised you most since you became a part of the publishing industry?

I always knew – and accepted and was prepared for – that a great deal of hard work would be involved. But it still hits me sometimes how much there is to do. The writing is only one aspect of it. There are edits, proof reading, promoting (often on social media), events, travelling, meeting people, networking, and reading other books. And of course you still have your family, and I still have a day job. I don’t yet earn enough to only write, despite the fact that it takes up 24 hours of my life! This is why you MUST love it. And I do. There is nothing at all like writing. It has saved me, quite literally, at times.

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What are you currently writing?

I have just finished the (possibly) hundredth draft of a book that will be my fourth, called The Lion Tamer Who Lost, which is essentially a dark and tragic love story, with a bit of a twist. Not all hearts and romance, I assure you. And now I’ve just started what I hope to be book five, which is loosely called Star Girl, and involves the brutal murder of a local pregnant woman, and how it affects those around her.

What inspires you to write?

Everything! Music. Dreams. Conversations. Real life. Hardship. Love.

Tell us about your writing routine? Do you write every day?

It isn’t always possible every single day, especially when I work long hours or am away on book tours for days at a time. I do need to get a laptop for those long train journeys so I can do it then also. At the moment, I only write on my home computer. When I’m home, I write anywhere between one hour and five a day. I’m strict. I sit. I ignore social media. Put music on. And go…

What are you reading at the minute?

I just finished Exquisite by Sarah Stovell (wow, what a book!) and started The Last Days of Leda Grey by Essie Fox. I always have a book or two on the go.

Where do you see yourself in ten years’ time?

Writing, definitely. I’ll write until my ideas dry up or my eyes fall out, whichever comes first. I see myself having had a huge bestseller by then (a girl can dream!) and maybe, who knows, one of my books will have been made into a film. Whatever I’m doing, it will be with the same passion. I assure you of that.

Maria in the Moon will be out on Kindle on 15th August and can be pre-ordered now from Amazon. The paperback version will be out on 30th September.


Book Review: The Real Sherlock Holmes: The Hidden Story of Jerome Caminada by Angela Buckley

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In January 1899, the Superintendent of the Manchester Police Force announced his retirement, his police career having spanned an impressive 31 years and The Evening Telegraph describing him as ‘one of the most noted detectives of the country.’ His work in cleaning up the crime-ridden streets of Manchester had also been recognised by the Postmaster General and the Duke of Norfolk.

The superintendent in question was Jerome Caminada, a now legendary ‘Victorian Supersleuth’ who, during his career, became notorious for the tricks he used to catch criminals. Both in his lifetime and after, Caminada was often compared to Arthur Conan Doyle’s Sherlock Holmes.

In The Real Sherlock Holmes: The Hidden Story of Jerome Caminada, Angela Buckley takes us into the dark and grim streets of Victorian Manchester where she follows Caminada as he climbs the ranks of the city’s police force, joining as a 23-year-old constable in 1868.

The book tells of Caminada’s humble beginnings as the son of an Italian immigrant, in a city where the life expectancy of the working class was a shocking 18. His family life blighted by tragedies such as the premature deaths of various siblings, the alcoholism of his brother and the impact of syphilis on his mother, Caminada used his time in the police force to not only improve the lives of his fellow Manchester residents but also his own.

In such a time of poverty, many individuals turned to crime and, after he joined the police, it was Caminada’s job to ensure the law was upheld and the streets of Manchester kept safe. Cases that Caminada tackled, and solved, during his career included The Manchester Cab Mystery, the case of the infamous Birmingham Forger and many incidents involving so-called Quack Doctors. A master of disguise, the detective also foiled many criminal plots in other areas of the country, including apprehending a gang of pickpockets at the Grand National in a guise ‘so convincing it even deceived his own chief constable.’ His talent for going undercover obviously standing him in good stead, it is also revealed that for many years, Caminada worked for Special Branch, carrying out top secret missions and taking his instructions directly from the Home Office.

Buckley’s descriptions of the Manchester streets – including Deansgate, St Ann’s Square and the then ‘Little Ireland’ (now Oxford Road Station) – are vivid and detailed. Indeed, anyone familiar with the city can walk Caminada’s beat alongside him, as he polices the many illegal drinking dens, gin joints and houses of ill repute that then occupied the city. An experienced historian whose work has featured in The Times and The Telegraph, Angela Buckley brings 19th century Manchester to life in this book and The Hidden Story of Jerome Caminada is a must read for all true-crime fans.

The book is available from Pen and Sword and Amazon.

This post was originally published on Humanity Hallows.

Book Review: Coulrophobia and Fata Morgana by Jacob M Appel


Jacob M Appel is a physician, bio-ethicist, attorney and registered tour guide based in New York City. If that wasn’t enough of an impressive CV, Appel also has a magnificent talent for storytelling and has published over 200 short stories, his novel The Man Who Wouldn’t Stand Up winning the Dundee International Book Prize in 2012. Seeming to draw from this impressive amount of life experience in his writing, Appel, in his latest release, Coulrophobia and Fata Morgana, has created a magical collection of short stories that stay with the reader long after the reading light is turned off.

In this collection, Appel explores the world of family and friendships, picking apart the daily lives of what, at first, seem to be very ordinary characters with the perception and insight that seem to be this author’s trademark. The recycling of family violence and relationships, the dilemma of companionship over love, power, family hierarchy, sexuality and disability are all subjects explored by this author with an honesty and delicacy that is always very much without judgement.

“There but for the grace of God go I…” the reader might think as we follow the story of two lonely border guards pondering their isolation as they are faced with what seems like certain death. “What would I do?” we might ask, as we enter the life of Rita the butcher, suddenly finding herself sole carer of her dysfunctional sister’s newborn. Wincing as we witness a grandmother’s punishment of her wayward grandson, we wonder what we would truly do if we were in her position, if we were left to raise a grandchild alone, had been raised in a violent household. Indeed, as Appel makes us flies on the walls of his characters’ homes, he also makes us look more closely at our own lives, our own families, our own relationships, if only to stop for a few seconds and reassess them, perhaps value them more highly.

As in Appel’s previous collections, running through these shorts is a sense of magic, the mysterious mime artist, who has a profound effect on those around him, the Mrs Robinson type language teacher and her handsome chimney sweep, the baby prone to swallowing coins, not to mention the ghost of Greta Garbo, all being brilliantly rounded and fully formed without being quite real. Indeed, in each and every one of these stories, Appel’s characters seem to be of our world but, at the same time, not quite, the author seeming to create an other-worldly scenario with which the reader can nonetheless very much identify.

Anyone who thinks that short stories do not have a place in the publishing market should read the stories of Jacob M Appel, an author who actively exercises his gift of drawing the reader in and never letting them go.

Coulrophobia and Fata Morgana is available now. For more information, visit

This review was originally published on Humanity Hallows.

Book Review: The Ghost Who Bled by Gregory Norminton

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Writer and Manchester Writing School Lecturer Gregory Norminton has recently released a new book, The Ghost Who Bled. The book, published by Comma Press, is a witty and often highly moving collection of meticulously detailed short stories that span nearly twenty years of Norminton’s writing career, stories that take the reader on a journey not only across continents but also through time.

What is immediately striking about Norminton’s writing is the author’s ability to adapt his voice to the collection’s settings and characters. Stories in The Ghost Who Bled span the world and its cultures, the author taking us as far afield as Malaya and Japan before bringing us nostalgically back to the green Surrey of his childhood.

In Zero + 30, we meet the American husband of a woman who survived the Pol Pot regime of Cambodia. Returning to the country with his wife, he finds out the real motive behind her decision to marry him many years ago.

In Confessions of a Tyrant’s Double, a commoner’s likeness to a much revered, and perhaps reviled, president leads him to a life that is no longer his own. A prisoner of his own appearance – ‘my good looks did not belong to me’ – his only hope in ensuring his existence is not forgotten is to note down his experiences and hope them to be a read by a suspected snooper: ‘by your aid I have proved that I existed.’

In Bottleneck, a ‘flagrantly pregnant’ musician struggles with the concept of bringing a child into an already overpopulated near-future world. Here, we clearly see the battle between capitalism and creativity – ‘Is  it common for the Small Hall to have so many empty seats?’ – beautifully shown in the fatalist but practical attitude of Clare’s scientist  husband, her tendency to find refuge in music and, ultimately, in the conception of a baby despite strict precautions.

In what is probably the strongest story in the collection, The Ghost Who Bled, a ghostly young Japanese airman reflects on his life, watching from a distance the impact of the horrific nuclear bombing of his country. Unbearably lonely, he is unwilling to leave his life behind, hiding to watch his loved ones and longing to be part of their lives again. Why, we ask ourselves, is he so reluctant to move on?

Gregory Norminton’s writing is beautifully lyrical, yet, at the same time, completely concrete. The author not only describes Cambodia, Japan, Malaya, but picks his readers up and drops them in the very countries, villages, pasts and futures in which his stories are set.

The Ghost Who Bled is available now from Comma Press. To mark the launch of the collection, Gregory Norminton will be talking about his work at a series of events, including an appearance at Waterstones on Deansgate, Manchester on Friday 19th May at 6.30pm. The event is free to attend and refreshments will be available.

This review was originally published on Humanity Hallows.